Pianist Jura Margulis has been internationally recognized for his compellingly communicative performances, as well as for the range of his tonal palette and his consummate virtuosity. Reviewers have praised the “absolute authority” of his interpretations and the sense of “controlled obsession” he transmits at the keyboard (Fono Forum). The Frankfurter Allgemeine Zeitung noted that his aesthetic is both “impulsive and contemplative.” The Los Angeles Times praised his “excellent pianism” and called him “highly musical”. The Washington Post applauded his “titanic reserves of sheer power” and his “effortless spontaneity.” The Fort Worth Star-Telegram called his performance “… the perfect Beethoven for the audience of our time … sweeping lyricism … imagination, originality, and good taste pervaded every phrase.” In August of 2011 Drehpunkt Kultur in Salzburg writes: "After the performance one fleetingly thinks of the pianists that became legends, but comparisons are impermissible. Margulis is a master sui generis (of his own kind)."

His orchestral appearances include performances with the Russian National Orchestra at the Hollywood Bowl, the Montreal Symphony Orchestra under Charles Dutoit, the Südwestrundfunk Orchestra, the Memphis Symphony Orchestra, the National Orchestra of Venezuela, the Thailand Philharmonic Orchestra, and the Prague Symphony Orchestra. He has played in numerous festivals, including the Schleswig Holstein Musik Festival, the Berliner Festwochen at Berlin Philharmonic Hall, the Verbier, the BSI, and the Sommets du Classique Festivals in Switzerland, the Argerich-Beppu Music Festival in Japan, and the Salzburger Festspiele in Austria. He has won prizes in more than a dozen international competitions, including Busoni in Italy and Guardian in Ireland. He is also a recipient of the esteemed Pro Europa prize awarded by the European Foundation for Culture.

Recent years have brought him to New York, Chicago, Los Angeles, St. Louis, Dallas, Cincinnati, Salt Lake City, Little Rock, Tulsa, Carmel, Austin, Phoenix, San Jose, Minneapolis, Memphis, and New Orleans in the US, as well as abroad to Frankfurt, Düsseldorf, Hamburg, Berlin, Tübingen, Freiburg, Elmau, Bologna, Salzburg, Bayreuth, Budapest, Erewan, Warsaw, Aix-en-Provence, Barcelona, Madrid, Lugano, Crans-Montana, Tel Aviv, Jerusalem, Tokyo, Sapporo, Seoul, and Bangkok. Active as a chamber musician, Margulis has performed recitals with, among others, Dmitry Sitkovetsky, Lilya ZIlberstein, Alissa Margulis, Arnold Bezuyen, the soloists of the Moscow Virtuosi, members of the Chicago Symphony Orchestra, and the Moscow String Quartet. Jura Margulis is a founding member of the Margulis Family Trio. He has also concertized with Martha Argerich on two pianos in Germany, Japan, and the USA.

Margulis has recorded eight CDs for Sony, Ars Musici, and Oehms Classics, covering a wide spectrum of repertoire. These recordings have attracted substantial attention, including selection as a “reference recording” by Fono Forum, and inclusion on the “Bestenliste” of the Deutschen Schallplattenkritik (German Recording Review). His CD featuring piano transcriptions of music from Bach to Caplet (2007), received 10 out of 10 for “artistic quality” from KlassikHeute. The accompanying review applauded his “ability to structure the Bach Chaconne, to build momentum and at the right moment to gently abate … not since Horowitz’s old RCA recording have I encountered a performance of Saint-Saens’ Danse Macabre that so grippingly leaps from the stage, as here in Jura Margulis’ own transcription.” The review also noted that Margulis’ own transcription of a little-known piece by André Caplet “should, like Ravel’s own transcription of his La Valse, claim a place in the repertoire of young pianists.” Klassik.com, also giving the CD its highest rating, raved that Margulis “cannot be praised enough.” Margulis’ latest solo CD was released in fall of 2009; “This CD is one of the best played, best interpreted, best programmed recitals of piano music of the year,” writes All Music Guide. In 2011 a CD with the complete Liszt violin and piano duo repertoire with his sister Alissa Margulis was released. Margulis’ latest recording features Schumann’s Dichterliebe in original version and Berg’s Seven Early Songs with tenor Arnold Bezuyen. Over 50 titles of from his CDs can be found on iTunes.

Jura Margulis is a third generation pianist and teacher and piano pedagogy is an integral part of his artistic vision. His yearly master classes in the US and abroad, including courses in Germany, Austria, Italy, Spain, Portugal, Hungary, Slovenia, Israel, Russia, Korea, and Japan, center around his pedagogical concept: The Unified Piano School, A synthesis of piano pedagogy and performance traditions, which bridges the Russian School's concentration on sound, imagination, and physical technique, and the German School's focus on structure, rhythmic coherence, and style. He has lectured on this concept at numerous forums including the World Piano Pedagogy Conference and the International Summer Academy at the Mozarteum in Salzburg. Margulis is the artistic director of the Fulbright Concerto Competition, an international contest for pianists in Fayetteville, and the executive director of the “International Piano Academy Freiburg”, a summer master class and piano festival in Germany. Jura Margulis is regularly invited as a judge in international piano competitions, most recently in the ARD Music Competition in Munich.

Born in St. Petersburg, Russia, Jura Margulis was raised in Germany, where he studied with his father, Dr. Vitaly Margulis, at the Musikhochschule Freiburg. He was also a student at the prestigious Fondazione per il Pianoforte in Cadenabbia at Lake Como in Italy. He moved to the United States to study with Leon Fleisher at the Peabody Conservatory in Baltimore, and made the US his home. Margulis is the inaugural holder of the Emily J. McAllister Endowed Professorship in Piano at the J.W. Fulbright College of the University of Arkansas, Fayetteville.

Jura Margulis is the host of www.PianistToPianist.com, a weblog of thoughts, ideas, concepts, observations, suggestions, research, methodology, discoveries, rules, exceptions, aphorisms, and secrets from pianist to pianist.

Interview about the IPAF08 in the Badische Zeitung July 2008

Interview with Dr. Leander Hotaki 2006

Interview with PIANONews 2002