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Pianist Jura
Margulis
has been internationally recognized for his compellingly communicative performances, as
well as for the range of his tonal palette and his consummate
virtuosity. Reviewers have praised the “absolute authority”
of his interpretations and the sense of “controlled
obsession” he transmits at the keyboard (Fono Forum). The
Frankfurter
Allgemeine Zeitung noted that his aesthetic is both “impulsive
and contemplative.” The Los Angeles Times praised his
“excellent pianism” and called him “highly
musical”. The Washington Post applauded his “titanic
reserves of sheer power” and his “effortless
spontaneity.” The Fort Worth Star-Telegram called his performance
“ … the perfect Beethoven for the audience of our time
… sweeping lyricism … imagination, originality, and good
taste pervaded every phrase.”
His
orchestral appearances include performances with the Russian National
Orchestra at the Hollywood Bowl, the Montreal Symphony Orchestra under
Charles Dutoit, the Südwestrundfunk Orchestra, the National
Orchestra of Venezuela, the Thailand Philharmonic Orchestra, and the
Prague Symphony Orchestra. He has played in numerous festivals,
including the Schleswig Holstein Musik Festival, the Berliner
Festwochen at Berlin Philharmonic Hall, the Internationale
Sommerakademie Mozarteum in Austria, the Verbier Festival in
Switzerland, and the Argerich-Beppu Music Festival in Japan. He has won
prizes in more than a dozen international competitions, including
Busoni in Italy and Guardian in Ireland. He is also a recipient of the
esteemed Pro Europa prize awarded by the European Foundation for
Culture.
Recent years have brought him to New York, Chicago, Los Angeles, St.
Louis, Dallas, Cincinnati, Salt Lake City, Little Rock, Tulsa, Carmel,
Austin, Phoenix, San Jose, Minneapolis, Memphis, and New Orleans in the
US, as well as abroad to Frankfurt, Düsseldorf, Hamburg, Berlin,
Tübingen, Freiburg, Bologna, Salzburg, Barcelona, Lugano,
Crams-Montana, Sapporo, and Bangkok. Active as a chamber musician,
Margulis has performed recitals with, among others, Dmitry Sitkovetsky,
the soloists of the Moscow Virtuosi, members of the Chicago Symphony
Orchestra, and the Moscow String Quartet. He has also concertized with
Martha Argerich on two pianos in Germany, Japan, and the USA.
Margulis has recorded seven CDs
for Sony, Ars Musici, and Oehms Classics, covering a wide spectrum of
repertoire. These recordings have attracted substantial attention,
including selection as a “reference recording” by Fono
Forum, and inclusion on the “Bestenliste” of the Deutschen
Schallplattenkritik (the German Recording Review). His CD
featuring piano transcriptions of music from Bach to Caplet (2007),
received 10 out of 10 for “artistic quality” from
KlassikHeute. The accompanying review applauded his “ability to
structure the Bach Chaconne, to build momentum and at the right moment
to gently abate … not since Horowitz’s old RCA recording
have I encountered a performance of Saint-Saens’ Danse Macabre
that so grippingly leaps from the stage, as here in Jura
Margulis’ own transcription.” The review also noted that
Margulis’ own transcription of a little-known piece by
André Caplet “should, like Ravel’s own transcription
of his La Valse, claim a place in the repertoire of young
pianists.” Klassik.com, also giving the CD its highest rating,
raved that Margulis “cannot be praised enough.”
Margulis’ latest CD was released in fall of 2009; “This CD
is one of the best played, best interpreted, best programmed recitals
of piano music of the year,” writes All Music Guide.
Margulis is a third generation pianist and teacher and piano pedagogy
is an integral part of his artistic vision. His yearly master classes
in the US and abroad, including courses in Germany, Italy, Spain,
Portugal, Slovenia, Austria, Russia, and Japan, center around his
pedagogical concept: The Unified Piano School, A
synthesis of piano
pedagogy and performance traditions, which bridges the Russian
School's
concentration on sound, imagination, and physical technique, and the
German School's focus on structure, rhythmic coherence, and style. He
has lectured on this concept at numerous forums including the World
Piano Pedagogy Conference and the International Summer Academy at the
Mozarteum in Salzburg. Margulis is the executive director of the
“International Piano Academy Freiburg”, a summer master class in
Freiburg, Germany, and
artistic director of the Fulbright Concert
Competition, an
international piano contest in Fayetteville, AR.
Born in St. Petersburg, Russia, Jura Margulis was raised in Germany,
where he studied with his father, Dr. Vitaly Margulis, at the
Musikhochschule in Freiburg. He was also a student at the prestigious
Fondazione per il Pianoforte in Cadenabbia at Lake Como in Italy. He
moved to the United States to study with Leon Fleisher at the Peabody
Conservatory in Baltimore, and made the US his home. Margulis is the
inaugural holder of the McAllister Endowed Professorship in Piano at
the Fulbright College of the University of Arkansas at Fayetteville,
where he lives
with his wife Elizabeth Hellmuth Margulis, who does research in the
cognitive science of music, and their sons Alexander and Nikolai.
Interview about the IPAF08 in the Badische Zeitung July 2008
Interview with Dr. Leander Hotaki 2006
Interview with PIANONews 2002
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